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Marine Look Banister
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" Okay. Well, most of the works are completed down here and we're really putting in details. Ron's already installed a solid oak newel post here and a rail on the way down to the family room. And this is unusual."
" Yeah. This is an 8-inch stainless steel cable, Bob, the type that you would use on a sailboat."
" On a sailboat, yeah."
" Has the clevis on either end and a turn buckle in the middle."
" The clevis is just a fastening device."
" Right. And all we do is take this clevis pin."
" Yeah."
" Put it right through the clevis, like this."
" And this is it?"
" It snaps right in, sometimes."
" There you go."
" Here we go."
" And then just tighten the turn buckle."
" And you just tighten this turn buckle."
" And you can only get this if you go to a marine supply house----"
" Right. That's----that's why I got it right here in Chicago."
" Or a sailmaker. Yeah, what did you pay for this?"
" This is about a hundred bucks."
" I was gonna say, they're not cheap. It's all stainless----"
" I know."
" but it's a real nice detail. And you would spend that much putting in balusters and painting them and, you know,----"
" Right."
" Spindles or whatever. It looks good. Is this our architect's idea?"
" Yup."
" And it makes code."
" It makes code."
" It looks good. Okay. See you in a bit."
" Bye, Bob."
" Oh hey, Christine! That looks pretty good!"
" Hi, Bob."
" Hi, how are you?"
" I'm fine."
" That's a pretty spectacular color."
" Thanks. Yes, this is pretty bold."
" It is bold, yeah. Now, this is the technique called ragging, right?"
" Ragging, correct."
" Show me all about it."
" Uhm, well it's the one with many painting techniques. This is actually one of the easier ones to do."
" Aha."
" And it creates a very nice [unk] and you tease this by mixing paint thinner with glazing liquid."
" Aha."
" And you add your pigment to add your color lastly to the paint. It sort of like a recipe that you add in and you play with for awhile, so you get the right consistency."
" You couldn't do it just thinning oil-based paint down with some thinner."
" No, you couldn't, you'd need to----"
" You gotta have that glazing compound."
" Right, right."
" What does that do to glazing compound?"
" Uhm, the glazing compound just helps thicken it up and it helps cut the paint thinner so you're not adding too much color because this is a very translucent look and you can kind of see here that I take my rag like this. I kind of scrunch it."
" There you go."
" Until you stab around, right. And it removes the paint from beneath and it----and has a really nice luminous look."
" And that's all there is to it, I mean----"
" That's all there is to it."
" You don't have to come back over this after the stride and put on any kind of the sealer."
" Uhm, you can if you would like. Uhm, you don't need to though."
" If you wanted to give it more depth."
" It's nice to preserve it."
" Yeah."
" That's really what the sealer would be all about."
" Yeah. Well, this is gonna be a pretty fascinating family room that you're doing for us, but you're gonna be back next week with all sorts of----"
" That's right."
" Design ideas, right?"
" That's right. Uhm, I'll be workin in a lot of things this week. We'll see all kinds of furnishings and rugs and----"
" Yeah?"
" All kinds of accessories."
" Good, with lots of furniture moving in, good. I can't wait."
" That's correct."
" I'll let you finish that so because it looks like a little bit of a complex job and I wanna go upstairs and show everybody the second floor. See you later."
" See you."