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Interior Design Tour of the Brooklyn Apartment with Jonathan Adler

Bob meets with Jonathan Adler and his partner to discuss the penthouse's interior design. From walls featuring a Marmorino finish, to the camel colored leather chairs and vintage mid-century seating, Adler has created a happy, welcoming feel. Adler's eclectic tastes take the visitor from acid lime green accents to red and brown carpeting to add a lived in hominess to the urban apartment. Adler pulls style out of his artistic hat to bring together opposing fashions into a conglomerate of New York panache and Palm Beach flare. Bob points out the reverse direction matchstick blinds from Smith + Noble that provides ample natural light.
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Interior Design Tour of the Brooklyn Apartment with Jonathan Adler

  computer-generated transcript - may not be 100% accurate

" What's the thinking here in terms of what you've done for us what does this is the living area yet. Let's talk about colors well I think that we took our cue from the walls -- this kind of let working on so we did this very. Rich. C marmorino that was standing right local Brooklyn artist Jonas Everett's and he's -- a great -- throughout the apartment it's beautiful looks so rich and so most of the palette relates to that most of the palette that we use the sort of camel colored leather camel mohair. And -- furniture this rich wooden. Stinging -- this chair are they vintage pieces or did -- the chair and the sofa are from my furniture collection as is the mirrored coffee table in -- Added into the rich woods and leathery feel is this kind of happy -- as well as well like. In New York you're healthy to be happy you get these punchy red cushions and the carpet itself yeah we have punchy red cushions we have put mustard in here the carpet is very strong now is if he's any of the furniture vintage what's this is this -- intentional chair designed by Warren Plath and her. It's one of my favorite mid century design -- Barack conduct and we upholstered it and look how how how does this green make it into the equation. Well again that's a happy color is from my lacquer collection. And my personal philosophy is that colors can't really clash. Many people are often very timid with color and try to do very coordinated scenarios I think it's fantastic to bring in. Improbable color for one thing you've done is you've kind of got a little bit of it here a little bit -- it you know a lot of it over there yes it's kind of sprinkled around. Here we have this dining area that's just set -- Apart now this is a very acidic area we use. These chair and cities. Well acidic color if it really is yeah he has an acid green -- mixed with like a -- you know it's it's very strong and then these chairs are these. Chinese Chippendale chairs and on which to hear very kind of walking Palm Beach -- just an improbable. An improbable element to -- this what but I think it all kind of work well you know some some people inherit grandmother's stuff yeah exactly this is you know. As if you happen and he rich Palm Beach grandmother. We -- we also have great fantasy Seattle I think I like is the domestic lines that have been. Install switcher Smith and noble one of the interesting things is that they're the reverse they go from this. Bottom up to the top and that means that you can you know use use living here just kind of happening halfway down. And it gives you privacy but still let a lot of light in."

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Bob joins the project's interior designer, Jonathan Adler, in the guest bedroom to discuss the decor. Adler used a Lucite shelf to add storage space without making the small room appear smaller. The rug is goatskin and the bed is from the West Elm Catalog, a local Brooklyn retailer that specializes in "urban living". The room is painted in Wheatland Beige from Bob's Signature line of paints. In the second bedroom Adler borrowed ideas from David Hicks to design a sumptuous office. He uses bold patterns, colors and materials to mix pop art with luxury. Bob points out a 1970 reproduction Thonet rocking chair made with chrome instead of the typical bentwood.

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Bob tours the finished upstairs focusing on the interior design.

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Homeowner Teresa Fogolini greets Bob as he enters the house for the final walkthrough. Bob remarks that this is move-in time for the homeowners, but little remains of their belongings since they lost virtually everything when Hurricane Charley destroyed their home. Cynthia Guncsaga from Bacon's Furniture Galleries joins them to explain how they determined furniture selections and design schemes for the new home. Guncsaga explains that it's important to learn from the homeowners, what they like, and start from there to assemble groupings and themes. Fogolini and Bob mention the Porcelanosa steel-look tile that became the driving force for the colors selected inside, picking up on the blues, browns, and natural hues in the tile. The bamboo welcome garden in the front yard becomes a material theme that is carried throughout, in the furniture frames, tables, and chairs. Art that reflects the style of the homeowners including a painting depicting a hurricane survival kit are on loan from Presseller's Gallery in Punta Gorda. In the bedroom, natural wood tones continue and complement the Brazilian Walnut hardwood floor from Bellawood. Neutral tiles and earth tones complete the look in the master bath.

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Homeowners Jeanne Sanviti-Masher and David Masher look at the finished dining room with Bob. Using a favorite landscape painting by Priscilla Serafin, a local Rowley artist, Jeanne chose a muted yellow for the walls. For the dining room table, the Mashers decided to match mission-style upholstered chairs through Design Works, a Cape Cod furniture purveyor that created the table and provided Portuguese pottery, French flatware, and Czechoslovakian crystal, all from the Juliska line, to complete the look.

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