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Painting with Historically Accurate Colors

Bob meets with Brian Powell, an architectural conservator from the Society for the Preservation of New England Antiquities. Brian helps Bob determine the original 1897 exterior color scheme and then looks at historically appropriate alternatives.
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Painting with Historically Accurate Colors

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" We've challenged you to try to determine what the original paint scheme was the original colors for this hundred year old house can and I guess you start off with a little tool like this -- We start out looking for areas where we know we've got fickle -- And after we find that. Will cut a little plug out including the paint him take it back to our lab. And part of that plug week passed and polyester resin. Oh look at -- so you take a sample where there's a lot of paint thick layering as you say certain and then you've tested in resin. -- polished the surface and then we put that under the microscope. And we're able to seal larynx sequence like this able to take photographs like yes through the microscope we're seeing this at a 125 times magnification -- clearly that's the original wood of the column right yeah."

" And where we're confident that we're seeing an original paint here that would is nice and friendships and it's all the often whether we be seeing something else. That's our original treatment kind of an ivory. And as you can see. For more time tickets painted and that color it before we move into this darker -- the dark green -- yes and if we were to look at your door surround you'd see it begins in this darker sequence therefore we're able to know from paints that your door surround is not a -- how to support initiatives really get a little."

" And then continues in the -- earth tones and then. Back to what it has now which is almost the same as it originally had yes full circle how futile. All right we have an array of colors on the south wall of the house and so this you suggest as the original combination. And we've got this dark green body color. This is our ivory tramp. Classic you see it all over the the landscape this is 1897 here got kind of very late shingle becoming colonial revival OK and then an alternative. Is right next to resisted -- and not go with such a dark color scheme did you go to something much lighter but this kind of tanner cocky young. Of course the classic for a shingle houses -- dark brown like the one we have next door but in speaking to -- earlier to lighten up the palette. As long as we're staying in -- earth tones in grades were safe -- so if we use this light brown as a body collar -- we could go with either one of these trend that window combinations either this kind of gray with a darker brown sash. Darker brown trim. And that's nice dark green so -- greens in the reds that we're looking at over here are the color scheme that I saw when we visited the Frederick law Olmstead homestead here in Brookline Massachusetts. And his house is an 1810 federal that was more -- Victorian as an added onto in the 1880s. And this is the color scheme that I thought also could be appropriate what do you think that's a real handsome scheme and very appropriate for a house -- this age I must say I really go for those dark colors."

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