Bob meets Jason Hill from New England Classic as their ready-measured and pre-cut paneling system is installed in the Manhattan Brownstone. This flat-panel classic American design is modeled after the Arts and Craft style made popular in the late 1800s. This paneling is made of medium-density fiberboard (MDF) faced with a wood veneer. New England Classic offers Oak, Maple, Cherry, paint-grade wood, or a variety of standard finishes. The entire system is designed as a kit of parts that is custom fitted to the customer's space and style. Customers can go the the Web site and download design forms that gather the measurements and product specifics for the job. An in-house design team then creates a design, an installation plan, and a materials list. Once on-site the system is easy to assemble. First the center of the room is determined and marked, then the baseboard is set and leveled. The first panel is then centered on the line marking the center of the room. Panel adhesive is used on the back of each 3/8-inch panel to hold it in place and keep it off the wall enough to push it into the slot of the rabetted stile. The panel is then tapped into place and check for level. A top rail is slash cut along the edge before being installed with adhesive and nailed in place along the bead. A top cap completes the installation, and gives this panel a true 1890s feel.

Bob joins David Ives who is installing the farm grown mahogany paneling in the master bedroom closet.

Carpenter Bob Ryley is on location to begin work on a reproduction wood-paneled wall in the project home's formal dining area. The wall panels, which were inspired by a visit to the Winslow Crocker house, a 1790 example of Colonial architecture on Cape Cod,. They will be made from knot-free, select grade pine. After discussing the room's layout and consulting an architectural rendering, Ryley begins to cut, assemble, and dry fit the panel elements. Ryley first mills the vertical trim pieces, called stiles, and the horizontal rails on a router table. Next, a wall panel is milled from three boards which have been glued and clamped overnight. Finally, Bob and Ryley begin to temporarily assemble the panels on the wall. Once all the pieces of the wall panels have been test fit, final assembly can begin.

Bob tours the front vestibule, highlighting the beautiful stencil work done by Kim Sweet. The stencil work replaced moldings in many homes of this nineteenth century era. The stencil work is not just on the wall but extends to the ceiling. This small vestibule will take the artist four days to complete using oil based paint. Greg Rochlin meets with Bob to discuss a few architectural pieces that borrow modern technology, combine stock pieces to antiques to create an authentic paneled wall and inlayed flooring. Bob meets with Susanne Csongor and Christine Lane of CLC Interiors to discuss some of the choices made in decorating the dining room and front hall. They used dense busy patterned wallpaper in the small dining room to give it an intimate feel. Combining it with red cotton chintz drapes with goblet pleats to accent the berries in the wallpaper. A Russian rug on the floor in the hallway was the color palette inspiration for this room as well as a blue Greek turnkey pattern for the runner up the stairs.

…from becoming clogged with human waste. Bath and Kitchen is effective for most kitchen and bath surfaces, including: ceramic tile, shower doors, sinks, bathtubs, white grout and caulk, toilet bowls, fiberglass and kitchen countertops. It can be…

… Chadsworth's 800.COLUMNS plain Octagonal Roman Doric columns, with attic base, separate the entrance hall from the living room in this cottage-style home. Part of the new PolyStone Premier Custom Collection, these columns add ‘weight’ without…